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That and that stuff in the cracks of the music, the passion, the grime that came to the surface over years of playing together. These nuances might have been lost on some producers, but in Kip Hanrahan, Piazzolla found someone who could not only hear them, but appreciate and capture them.
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Initially, the Bronx-born Hanrahan might have seemed like acurious choice. He had an adventurous but small label, American Clave, and was best known as a composer of knotty avant-ethnic fusion and a sui generis bandleader. Coincidentally, the offices of American Clave were just blocks away from where Piazzolla had lived as a child. He felt they had not treated him with respect.
Buenos Aires Hora Cero by A. Piazzolla - sheet music on MusicaNeo
Kip is not your average guy, he might not be easy sometimes, but he is great fun, has a great sense of humor, and he and Astor got along wonderfully. Throughout his career, Piazzolla wrote and arranged specifically for the musicians in his group. Piazzolla also constantly reworked his material, as if probing it from different angles.
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Up close, you can hear Piazzolla himself kidding around in Italian, breaking up his players. The piece was first recorded in , for the film he Exile of Gardel , but this version has a sinister elegance and greater weight. These are demanding pieces, yet the individual playing remains consistently precise and intense throughout. As an ensemble, Piazzolla and his New Tango Quintet sound focused, loose and forceful.
They are in total control of the music and prove it by casually changing direction, moods and dynamics on a dime. We gave our souls to it. With so much to choose from, Piazzolla fans will argue endlessly about favorite players, groups, arrangements and performances. These notes appeared on the reissue. Your email address will not be published. Pianist Chano Dominguez is in Valencia rehearsing a classical piece he wrote for brass quintet and piano for a July concert
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