As love abruptly takes carry among them, they dare to examine what a destiny jointly may be able to appear like. As a sequence of threatening incidents wreaks chaos in Maria's existence, Maria and Colin may be established in more and more terrifying methods. Will demons from their earlier wreck the tenuous dating they've all started to construct, or will their love defend them, even within the darkest hour?
Rich in emotion and fueled with suspense, SEE ME reminds us that love is typically solid within the crises that threaten to shatter us. This model of Frank Wedekind's remarkable play Spring Awakening was once in particular commissioned by way of the Royal Shakespeare corporation.
With its scenes of pubescent angst, sexual outspokenness, rape and homosexuality, the play nonetheless, multiple hundred years after it was once first staged, has the facility to surprise. Ted Hughes's rendition lends the discussion a very glossy terseness and chunk, drawing out all of the erotic power of the unique.
Eine Begegnung in 16 Szenen. Dabei wird der Fokus auf die Lebenssituation psychodramatisch gesprochen: Richardson provides background for the widow's troubles with this neighbor by having him "accidently" kill her older son, which precipitates her husband's suicide-by-drinking. Having set up this volatile situation, Richardson has the younger son, Alec, avenge the rape, but only to the extent of breaking the white boy's arm and leaving the South. Although DuBois encouraged such plays as Compromise, he thought the many monologues that Angelina Grimke wrote for Rachel succeeded better in pricking white consciences and inciting African American emotions.
The tension between Walter and Mama, according to the critic Margaret B. These Binding Relationships plays differed from the English domestic tragedies and melodramas of the seventeenth and eighteenth centuries in that the African American families were nuclear, extended, and assembled. The last period of Black Experience theatre, The Bridge since , was important because it mixed the ideas that flowed from the DuBois and the Locke schools.
Its waters, although brackish, nourished compromises tendered by both sources. The DuBois people, who had lost the playwright Amiri Baraka to full-time political organizing, heeded Richard Wesley's call to lower the rhetoric as they reevaluated theories and strategies. Considerably more moderate plays were rushed on stage.
The Locke people dropped some of its "Back Street" mermaids-and-sharks characterizations and plots, as well as its Black Revolutionary-bashing themes. My favorite was "Words, Words, Words," about three monkeys with typewriters attempting to write Hamlet. I don't think I would want to just stage these six in lieu of a full play, but I can see including some of them in a one-act festival or something of that nature.
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- Sonata in E-flat major - K370/P346/L316.
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Aug 22, Mandy Stigant rated it it was amazing Shelves: They have a special place in my heart. Aug 21, Phoenix rated it really liked it Shelves: His introductory chapter is a delightfully funny collection of answers to common questions a playwright might get - without the questions, because the questions themselves are superfluous.
The book consists of 13 one-act and 1 full length plays. A man tries to introduce himself to woman reading a book.
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And says the wrong thing. They try again and again until they get it right. They think of rebellion. Great dialog, extremely funny. Student Dawn meets teacher Don and together they create an Esperanto like language that is both funny and swimming in culture. Getting the language is half the fun as most of it is just punned English. Variations on the Death of Trotsky: So how does a noted Bolshevik survive a whole day with an axe in his head? Every had one of those days when you seem to be somewhere else. Al and Mark do. Once you learn the rules it's easier to manage, but can you get out?
Long Ago and Far Away: Memories in a New York apartment. Laura slips back in time and then is lost. Less of a comedy and more of an existential wandering. Where miniature golf stands in for seduction. Ives employs parallelism showing 3 variations on a date with the same man and similar women but run simultaneously.
Another excursion into resets, composed of 7 scenes at the same restaurant, but different times, but this time changing only one or two characters at a time; technically interesting. Written in memory of his father, 3 sensitive construction workers on a beam come up with a fanciful theories as to who they really are - and one of them claim's he's the Lindbergh baby.
A mockumentary in the style of those s on how to behave films, in this at a party. Three roles - a narrator and the subjects: A Singular Kind of Guy: A short monologue where a young man imagines himself to be a typewriter. Nothing special but one can make something out of this. Terrific parody produced in honour of David Mamet. And if you aren't, it's funny anyway. A full length two hander quasi romance sputtering to extinction. The play is rooted in a clever couple who spend most of their time rooting each other, which makes the set simple - a bedroom.
Interesting use of repeated dialog but that's technique. Philip Glass Buys a Loaf of Bread: This one I didn't really get, but then I've never seen a Philip Glass opera performed or listened to one of his symphonies. Ostensibly Phil Glass goes into a bakery, buys some bread, gets his change and leaves.
Download All in the Timing: Fourteen Plays by David Ives PDF
There are 4 parts and they all speak slowly and at the same time. The one acts are Immensely suitable for as acting exercises, but perhaps some enterprising impresario could transplant the cinematic idea of a comic animation before the show and offer pieces like these as a preshow treat before a longer performance. Enjoyable just for a read as well.
Aug 08, Edward Cheer rated it really liked it Shelves: All in the Timing by David Ives is a collection of fourteen short plays- most of which fall into the "comedy" category, though there are some exceptions. The main theme in this collection of plays is comedy mixed with tragedy that relate to deep philosophical quandaries everyday people have. Such as- "Does commitment to marriage ruin or help a relationship?
Similarly to the Tao Te Ching, I didn't rush through all the plays. I took my time to let each one breathe, and they each left a unique impact on me. Now there are some plays which aren't on the same level of quality as the others, in my opinion. Speed-the-Play is the old idea of taking someone's work and squeezing it into a short production, which makes it funnier They aren't dreadful to read, just a little more mindless than the rest of the plays with them.
If there's any specific winner that left me with the most to think about, it's probably "Ancient History". The only two-act long play and the longest of the bunch, it establishes a unique relationship at a very pivotal moment between the two partners and the questions it brings into the idea of marriage and being able to live with someone touched me personally. This is a play I would love to perform. All in the Timing, while it has a few duds, still has a lot of soul and wit to it.
The way Ives dances between such serious contemplative ideas and pure comedy is astounding, to say the least. I'm giving it a high recommendation. You will not be disappointed. May 15, Tiffany Katz rated it really liked it. May 02, Christine rated it it was ok. Clearly I'm the naysayer here, based on the glowing "Ives is a genius" reviews.
Sure, it could be a stylistic thing, but I found very little to glom on to here. Dec 19, Lise rated it it was amazing. Jan 16, Ben Leach rated it really liked it. Some of the plays were definitely five stars for me. Favorite one act was definitely The Philadelphia. Sep 01, Amanda rated it it was amazing. I am a sucker for off-the-wall, plays, tongue-in-cheek, funny, and thought provoking pieces; "All in the Timing" by David Ives delivers all in his collection of one act plays.
May 16, David rated it liked it Shelves: Mostly funny mostly one-act plays. Jan 17, Benjamin added it Shelves: It was hilarious and silly in the way that Moliere is; for instance, one suitor to the heroine explains that his major accomplishment is being quite stupid; and the whole play wraps up neaty and tidily. But in the Ives adaptation, there's some extra zing in those zingers, whether it's the anachronism While I was in Chicago for Christmas, my girlfriend's parents took us all to the Chicago Shakespeare Theater to see, of course, Moliere's School for Lies , adapted by David Ives from The Misanthrope.
But in the Ives adaptation, there's some extra zing in those zingers, whether it's the anachronisms someone makes the literary allusion to a "peak on Darien," which later gets confused with "Darien, Connecticut" , the Mamet-esque swearing, or the rapid-fire pace. The play gave me a strange urge to revisit David Ives's short plays, some of which I read or saw or possibly acted in in high school drama club or speech and debate.
Turns out, I only knew a few of these fourteen plays, but they're very much how I remembered them, even the ones I'm reading for the first time. If you're reading for plot and characters, you may want to look elsewhere; if you're reading for witty banter and humor, enjoy, since this is tailor-made for you; and if you're reading for deep themes, well Read all together, Ives's short plays do show some very close thematic connections. Many of the plays explore the same issues: For instance, the most commonly performed play where I come from is his "Sure Thing," a dialogue between a man and a woman where a bell rings each time one of them says the wrong thing--"I have a boyfriend, I admire Trotsky, I don't like early Woody Allen films.
And so it goes: Other plays have less to do with human love, like "Words, Words, Words," where three chimpanzees try to bang out Hamlet while commenting randomly on the nature of art, life, and the big issue, the infinitude of chance. The plays are all funny and interesting, even the dramatic ones that seem to have more to do with love fading or struggling, like "Long Ago and Far Away," where a couple are about to move, but the wife's cold feet lead to a fight and some time travel. So even when he's being serious, Ives reaches for metaphor, unreality, invention.
May 12, Meg rated it liked it. David Ives is a masterful playwright. He knows how to say a lot without saying much or by saying the same simple things over and over. His plays are either devastatingly funny or just He explores all manner of human relationships, though mostly romantic ones, in ways the are honest to the point of brutality and sometimes almost too cynical to take.
However, his plays feel - you can't deny that. His use of musical rythmns for Foreplay the fugue and Ancient History is stunning. Ancient History is a great exploration of the end of a relationship that burns with honesty - he did a great job of showing instead of telling the cyclical nature of relationships and the "practicing" that comes before the real end of something. Seven Menus is also about the end of relationships, but is just too cynical. His experiments in language in Philip Glass Buys a Loaf of Bread, English Made Simple, and the Universal Language seem interesting, but I have a sense that I wasn't really able to get a true sense of them they need to be acted, especially Philip Glass.
A nice collection of plays. Jun 04, Jennifer Collins rated it it was amazing Shelves: Ives' "Sure Thing" stands out in my memory as one of my favorite one-act performances of all time even though it was probably one of the first one-acts I ever saw performed--and, while much of that outstanding performance should be attributed to the fantastic timing and acting involved that day, much of the credit also goes to Ives' outstanding writing. That one-act, though, is only one of the fourteen plays collected here, and all of them are masterful examples of Ives' clever and funny writing Ives' "Sure Thing" stands out in my memory as one of my favorite one-act performances of all time even though it was probably one of the first one-acts I ever saw performed--and, while much of that outstanding performance should be attributed to the fantastic timing and acting involved that day, much of the credit also goes to Ives' outstanding writing.
That one-act, though, is only one of the fourteen plays collected here, and all of them are masterful examples of Ives' clever and funny writing. Many of these pieces, like "Sure Thing", will only be at their best with perfect timing and the laughter of a live audience, but the smart writing and small casts make these more translatable to a reading experience than one might expect.
Each one is unique, fun, and resounding with Ives' signature humor and word and timing play. The one long play included here, Ancient History, is also a perfect blend of drama and humor, with just enough crossed lines. All together, Ives is a dramatic wonder, and this collection is utterly wonderful. Nov 21, R. Six comic one-act plays, in descending order of my preference: Three monkeys named Swift, Milton, and Kafka are part of an experiment to see if they can in fact type Hamlet , all the while throwing bits of Shakespeare's play into their dialogue.
A couple meet at a cafe and every time their conversation hits a deal-breaker, a bell rings and they rewind a little and start again. Everything's going wrong for Mark, so Al explains that such a turn Six comic one-act plays, in descending order of my preference: Everything's going wrong for Mark, so Al explains that such a turn of events can only mean one thing: Trotsky's onstage with an axe in his skull, while his wife reads him an encyclopedia entry on his own death.
Probably works better on stage than on the page. A woman arrives at a language school where the instructor speaks a comic Esperanto-type language. Indecipherable to me, even though it comes with its own musical notation. Oct 28, Jeff rated it it was amazing.
Oh, David Ives, I think I'm in love with you! I stumbled across this book when my friend moved out of town; it was in her discard pile. As a playwright, I love finding and reading new voices, so I grabbed it, took it home, and put it on my "to read" nightstand. I didn't read it, though, until after I won a playwriting contest and one of the adjudicators told me that my play felt a lot like the work of David Ives. In that moment, I remember having adopted the book and I dove into it to assess the comparison. Reading "All In The Timing" felt, to me, like a homecoming.
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