Piano Concerto No 1 in B Flat Minor, Opus 23


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Piano Concerto No. 1 in B-flat Minor, Op. 23

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Piano Concerto No. 1 in B-flat minor, Op. 23

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Piano Concerto No. 1 in B-Flat minor, Op. 23: Movement I (Tchaikovsky)

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    Andantino semplice — Prestissimo III. Composed ; revised , October 25, , Boston, Massachusetts. Although the young Tchaikovsky began music lessons at the age of five and progressed to improvising at the piano by fourteen, none of his teachers detected what was apparently a natural ability to compose. Thus, he was never encouraged to progress beyond the level expected of any average child from a middle-class family. By the age of nineteen, he completed studies at a school of jurisprudence and began a three-year career as an ordinary civil servant in St.

    Finally, in , Tchaikovsky gave into his creative urges and began taking composition lessons from Nikolai Zeremba. One year later, Zeremba join the faculty of the newly created Conservatory of Music, and his pupil followed him there. Tchaikovsky permanently abandoned his law career in Tchaikovsky would eventually develop into a major figure in 19th century music, due in large part to the influence of two Russian-born, but German-trained, brothers: Anton and Nikolai Rubinstein. In , Nikolai, an almost equally adept pianist, became the first director of the Moscow Conservatory. In this position, he was able to offer a teaching post to Tchaikovsky.

    Despite their kindness and occasional financial assistance, the brothers Rubinstein often privately voiced severe reservations about the abilities of their pupil. In , shortly after completing his Symphony No. Quite naturally, he dedicated the work to Nikolai Rubinstein, and he eagerly performed it privately for his mentor the moment he finished the solo part.

    It was a disaster. Nikolai, upset at not being consulted on technical matters, sat in absolute silence for several minutes and then subjected Tchaikovsky to extraordinarily severe criticism. He suggested so many changes that carrying them out would have meant a complete rewriting of the work.

    ADDITIONAL MEDIA

    Rubinstein later changed his mind about the concerto and eventually made it a staple of his repertoire.

    Piano Concerto No 1 in B Flat Minor, Opus 23 Piano Concerto No 1 in B Flat Minor, Opus 23
    Piano Concerto No 1 in B Flat Minor, Opus 23 Piano Concerto No 1 in B Flat Minor, Opus 23
    Piano Concerto No 1 in B Flat Minor, Opus 23 Piano Concerto No 1 in B Flat Minor, Opus 23
    Piano Concerto No 1 in B Flat Minor, Opus 23 Piano Concerto No 1 in B Flat Minor, Opus 23
    Piano Concerto No 1 in B Flat Minor, Opus 23 Piano Concerto No 1 in B Flat Minor, Opus 23

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