The Monsters and the Critics , the death by dragon "is the right end for Beowulf," for he claims, "a man can but die upon his death-day". In , William Witherle Lawrence argued in his article "The Dragon and His Lair in Beowulf " that the fight between Beowulf and the dragon tends to receive less critical attention than other portions of the poem, commenting that "Grendel and his dam have, as it were, become more beloved of the commentators".
Not that it refused to fight when challenged, but that it did not seek out Beowulf or anyone else. It left Beowulf to do the seeking out".
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The stories, moreover, are often attached to real persons and localized precisely in time and place. The habit is so well known that examples are superfluous". An Introduction to the Study of the Poem with a Discussion of the Stories of Offa and Finn , says that Beowulf ' s dragon acts like "the typical dragon of Old English proverbial lore" because he guards treasure. Ker criticized the inclusion of Beowulf's fight with the dragon and his subsequent death in the poem, writing "It is as if to the end of the Odyssey there had been added some later books telling in full of the old age of Odysseus , far from the sea, and his death at the hands of Telegonus ".
The Monsters and the Critics , J. Tolkien noted that the dragon and Grendel are "constantly referred to in language which is meant to recall the powers of darkness which Christian men felt themselves to be encompassed. They are 'inmates of hell', 'adversaries of God', 'offspring of Cain', 'enemies of mankind' And so Beowulf, for all that he moves in the world of the primitive Heroic Age of the Germans, nevertheless is almost a Christian knight".
Narrative Time and Mythological Tale Types" that "In the twenty-first century Beowulf does not lack for commentators to defend the literary merit of the dragon episode".
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Seamus Heaney suggests that Beowulf's attitude towards fighting the dragon reflects his " chthonic wisdom refined in the crucible of experience", that is there is already a "beyond-the-grave aspect" to his resoluteness. In From Homer to Harry Potter: Dickerson and O'Hara further elaborated that through its dragon, Beowulf turned the "notion of having a monstrous evil and not mere human foes as the enemy" into "a hallmark of modern fantasy" present in C. Lewis ' Narnia books, Ursula K.
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Tolkien used the dragon story of Beowulf as a template for Smaug of The Hobbit ; in each case, the dragon awakens upon the hoard being disturbed by one stealing a chalice and goes into a wrathful rampage until slain by another person. Rowling was influenced by the confrontation between the dragon and the title character in Beowulf. From Wikipedia, the free encyclopedia. The Monsters and the Critics. The Problem of Grendel's Mother". Poetry Criticism , vol. Retrieved 19 May Cain's monstrous progeny in Beowulf: Retrieved September 18, A Critical Anthology ".
Or the Beowulf Dragon Debated". The New York Review of Books. Retrieved September 17, A Handbook on Myth and Fantasy ".
National Endowment for the Humanities. Alexander, Michael . Clark, George . In Bjork, Robert E. University of Nebraska Press. The fight at Finnsburh. Evans, Jonathan . In Clark, George; Timmons, Daniel.
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Tolkien and his literary resonances: A New Verse Translation. Beowulf and the Dragon: The Monsters and the Critics". Sir Israel Gollancz Lecture Archived from the original on 3 November A Translation and Commentary " Beowulf: Grendel Eaters of the Dead. Prince of the Geats Beowulf: Return to the Shieldlands. Retrieved from " https: Views Read Edit View history. Hrothgar offers rich rewards of twisted gold if Beowulf can find and kill the monster and escape with his life. Click on the audio link to hear an actor reading the passage.
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