United States of Banana


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A postmodern attuned to the ups and downs of phrases and the unexpected breaks between speech and meaning, Braschi brings her passion for word play to the center of her texts where she stages a virtuoso and wicked performance against the world as we knew it. She makes us read against the grain, busting up the normal landscape of people and ideas; she drags us to the edge of the modern city to experience its glory and disarray.

New Release: A Swedish Comic Book of United States of Banana

Hilarious and sassy, Braschi offers no olive branch to those who stand by the rules of convention. Three cheers for this book! Turning disaster into a Surreal nightmare, she catalogues what is left of the attack to the Towers in the form of scattered body parts: Perfect for an audiobook in its jazzy, colloquial style, and ideal to be read aloud in the corrosive style of Lenny Bruce, United States of Banana develops from the sophisticated intricacy of a Postmodern narrative, overlapping the voices of Segismundo and Hamlet, Calderon and Shakespeare, Seneca and Artaud.

Through her intertextual vision shaped by the masterpieces of both the Spanish and the English tradition, the Puerto Rican writer accounts for the falling towers as the ultimate American spectacle, turning terror and catastrophe into a tragic comedy seen through the bewildered, satiric eyes of a Hispanic passer-by.

From its very title, United States of Banana, is the quintessential danse macabre of the millennium, coming from a word-player who knows how to grin at despair, like a Shakespearean fool who is too busy to dig out from the ashes the signs of a new era to partake of the mourning hoopla of the national order resuscitated after the mutilating attack to the most iconic towers in media history. You are commenting using your WordPress.

You are commenting using your Twitter account. You are commenting using your Facebook account. In recent years the festival has experimented with offerings that blur the distinction between literature and other forms of art or entertainment, and this year was no exception: But since its founding 90 years ago, PEN America has aimed to be simultaneously a literary and a human rights group, with a focus on defending the rights of both writers and readers around the world, and Mr.


  1. United States of Banana by Giannina Braschi.
  2. Christianus: The Christian Life.
  3. Academic Commons.

And there was this, to conclude his remarks after pointed observations critical of limitations on thought and expression not just in China but also in the United States: In the question and answer period that followed the main address, the novelist Gary Shteyngart, born in what was then Leningrad and raised in New York, began his task as interlocutor with a jocular query. Which one is inherently more free?

Earlier in the festival, a pair of panels had attempted to confront some of the same tensions.

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