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Oxford University Press, Oxford, Between them, they present networks of photographers, writers, images and institutions that will strike the contemporary reader as perhaps an all too familiar canon of US documentary photography: However, whilst these names are now synonymous with the emergent tradition of social documentary photography, it was not always so.
I say surprising because it is almost impossible to think of social documentary photography in the US without him; nor consider Hine without his photographic works, as evidenced by the Lewis Hine exhibition presently touring Europe Paris, September — December ; Madrid, February — April ; and, Rotterdam September — January In reality, Allred and Sampsell-Willmann combine pithy visual interpretation and rhetorical strategies with close reading. Not that the images are ignored.
And yet, famously, the director of the FSA, Roy Stryker, did not hire the man whose work so shaped documentary photography in the US — a man who devoted himself to picturing a particular reality of the US using photography.
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Photography for Hine had a specific and resolute purpose: Of course, the recuperation of Hine relies foremost on the photographs he made of immigrants, child labourers and the working class, rather than on those wider aspects of his life that supported and directed his photographic practice.
It is a worthwhile and enlightening project, and one that will deservedly take its place as a must read text in the literature on Hine. Sampsell-Willmann simply foregrounds these areas much more forcefully than others. In defence of Sampsell-Willmann, the reintroduction of photographic intention, especially when so closely aligned with an intellectual as well as aesthetic project, makes for engaging reading.
Here documentary images convey a simple message; they do not impose too much on the viewer. Admittedly, for many, especially those in Cultural Studies, the cultural analysis of the Frankfurt School is now considered more a historical theory than a contemporary tool able to address the complexities of modern life.
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