The Ideas in Things: Fugitive Meaning in the Victorian Novel


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For this reason, the book stands as an exemplary piece of twenty first-century Victorianist scholarship.

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The Ideas in Things

Literature and Literary Criticism: You may purchase this title at these fine bookstores. Outside the USA, see our international sales information. University of Chicago Press: About Contact News Giving to the Press. Dying to Know George Levine.

Victorian Novel Project

Object Lessons Jami Bartlett. The Vicissitudes of Coziness: Realism, Fetishism, and Genocide: Negro Head Tobacco in and around Great Expectations 4. Toward a History of Literary Underdetermination: Gauri Viswanathan, author of Outside the Fold: Bill Brown, author of A Sense of Things: The Object Matter of American Literature.

She not only defamiliarizes the most familiar Victorian novels; she also reads them as a way of disclosing the social lives of things and the multiple histories that lie encrypted within them. Fugitive Meaning in the Victorian Novel will reset your reading gyroscope. This book will not o Sometimes, actually too often, our reading tends to find itself in comfortable places.

Ideas in Things: Fugitive Meaning in the Victorian Novel - Chicago Scholarship

This book will not only demonstrate how much meaning is still to be found in some of the standards of Victorian Literature, but also create a thirst for a different form and style in your own reading. I am re-reading Great Expectations now. I have read it many times yet I have never thought to even consider the question of what meaning could be contained in the type of tobacco Magwitch uses. How often do we see and dismiss the objects that are presented to us, both in our reading life and, more critically, in our own personal life?

This book's strength resides in two places. First, it unpacks with convincing insight and detail the depth of meaning contained in an object that seems innocuous in a novel.

The Ideas in Things: Fugitive Meaning in the Victorian Novel

Second, it acts as a caution to us as readers to always remain curious and to always question not only what we read but the objects that the authors present us when we read. I have often said that a good novel will be different as I become older and more mature - hopefully I'm still maturing - but now I realize I will always be learning that every object is in itself, a world of "infinite delight" just as William Blake said it would be.


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Dec 30, Zan rated it really liked it Shelves: Freedgood's analysis of things in four significant Victorian novels Jane Eyre, Mary Barton, Great Expectations, and Middlemarch provides a type of case study in thing theory and cultural studies. Freedgood identifies objects in the novels that seem to get reference at significant moments, and then she unpacks the cultural significance of those objects in a way that informs themes of the novel.

Fugitive Meaning in the Victorian Novel

The mahogany furniture in Jane Eyre connects Madeira, Barbados, and England in intricate themes of co Freedgood's analysis of things in four significant Victorian novels Jane Eyre, Mary Barton, Great Expectations, and Middlemarch provides a type of case study in thing theory and cultural studies. The mahogany furniture in Jane Eyre connects Madeira, Barbados, and England in intricate themes of consumerism, slavery, and mastery.

The checked cotton curtains in Mary Barton tell a similar tale about the cotton industry in northern England, India, and the United States. Magwitch's tobacco in Great Expectations evokes culturally embedded ideas of Aboriginal genocide, American slavery, and colonial aggression. Dorothea's "plain dress" in Middlemarch becomes the author's attempt to embed cultural "highbrow" references into the novel as a way to distinguish the work as literature rather than purely fiction.

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Apart from serving as an effective model of reading literature with thing theory in mind, Freedgood's book was fairly accessible, direct, and brief all good things, in my opinion. I even found myself literally laughing aloud at some of her asides and commentary, making this book an enjoyable, informative, and for my research invaluable critical study. Chloe Lee rated it it was amazing Nov 19, Cathy Kroll rated it it was amazing Jun 20, Olivia rated it really liked it Dec 06, Amy Lee rated it really liked it May 09, Victoria rated it really liked it Apr 29, Christy rated it really liked it Feb 08, Samantha Cardarelli rated it really liked it Mar 27, Tom L rated it it was amazing Dec 18, Jez rated it really liked it Feb 22, Ruta rated it it was amazing Mar 24, Kay rated it liked it Apr 30, Amanda rated it really liked it Dec 07, Heather Corcoran rated it really liked it Jul 22, Jules Frakes rated it it was amazing Apr 17, Jamie Gibbs rated it it was amazing Apr 05, Deanna rated it it was amazing Jul 07, Sarah rated it liked it Feb 17, Heidi rated it really liked it Mar 10, Olivia rated it liked it Feb 17, Jason added it Dec 23, Basak Demirhan added it Jan 17, Gena marked it as to-read May 28, Kayla Mckinney added it Sep 30, TheVictorianist added it Oct 04, Andy marked it as to-read Oct 03, Erika marked it as to-read Oct 11, Barbi marked it as to-read Feb 10,

The Ideas in Things: Fugitive Meaning in the Victorian Novel The Ideas in Things: Fugitive Meaning in the Victorian Novel
The Ideas in Things: Fugitive Meaning in the Victorian Novel The Ideas in Things: Fugitive Meaning in the Victorian Novel
The Ideas in Things: Fugitive Meaning in the Victorian Novel The Ideas in Things: Fugitive Meaning in the Victorian Novel
The Ideas in Things: Fugitive Meaning in the Victorian Novel The Ideas in Things: Fugitive Meaning in the Victorian Novel
The Ideas in Things: Fugitive Meaning in the Victorian Novel The Ideas in Things: Fugitive Meaning in the Victorian Novel

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