Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45


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Sheet Music

Allegro con brio [7'18] , 2 2. Andante con moto [9'14] , 3 3. Allegro [4'48] , 4 4. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo [9'04] , 6 2. Andante molto mosso [10'19] , 7 3. Lustiges Zusammensein der Landieute: Allegro [3'08] , 8 4.

this farewell symphony a training guide Manual

Allegro [3'23] , 9 5. Frohe und dankbare Gefuhle nach dem Sturm: Violin concertt in do major, Op. Adagio sostenuto- Allegro , 2 2. Allegro vivace , Sonata No. Allegro ma non tanto , 6 2. Allegro molto , 7 3. Adagio cantabile- Allegro vivace , Sonata No. Adagio- Allegro vivace , 2 2. Adagio- Tempo d'andante- Allegro vivace , Sonata No. Adagio con brio , 4 2. Adagio con molto sentimento d'affetto , 5 3. Allegro- Allegro fugato , 6 12 Variations on from Mozart's for piano and cello, Op.

Grave- Allegro di molto e con brio , 2 2. Adagio cantabile , 3 3. Rondo Allegro , No. Adagio sostenuto , 5 2. Allegro , 6 3. Allegro , 8 2. Andante , 9 3. Scherzo Allegro assai , 10 4. Rondo Allegro ma non troppo , No. Das Lebewohl Adagio-Allegro , 12 2. Abwesenheit Andante espressivo , 13 3. Das Wiedersehn Vivacissimamento , No. Largo- Allegro , 2 2. Adagio , 3 3. Allegro con brio , 5 2. Introduzione Adagio molto , 6 3. Rondo Allegretto moderato- Prestissimo , No. Allegro assai , 8 2. Andante con moto , 9 3. Allegro ma non troppo. Allegro [13'02] , 2 2. Assai vivace [2'59] , 3 3.

Appassionato e con molto sentimento [21'50] , 4 4. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo [4'31] , 2 2. Vivace alla Marcia [5'53] , 7 3. Adagio, ma non troppo, con affetto - attacca [3'33] , 8 4. Geschwinde, doch nich zu seht und mit Entschlossenheit. Vivace [10'07] , Piano Concerto no. Sonate in la maggiore Op. Allegro [3'24] , 10 Finale. Allegro ma non troppo, un poco maestoso [18'38] , 2 2. Molto vivace [10'50] , 3 3. Adagio molto e cantabile [18'15] , 4 4. Piano trio in D, Op.

Allegro vivace e con brio [10'17] , 2 2. Largo assai ed espressivo [11'39] , 3 3. Vivace - Presto [10'09]. Concerti Grossi , 1 - 5 Concerto no. Allegro molto e con brio [8'42] , 2 2. Largo, con gran espressione [9'55] , 3 3. Allegro - Minore - Allegro [5'49] , 4 4. Poco Allegretto e grazioso [7'56] , 5 1. Allegro vivace [7'01] , 6 2. Largo appassionato [7'32] , 7 3. Allegretto [3'28] , 8 4. Molto adagio; Neue Kraft fuhlend: Andante [17'17] , 4 Alla marcia, assai vivace [2'21] , 5 Allegro appassionato [6'49] , Streichququartett Nr. Grave ma non troppo tratto.

Sonate per violino e pianoforte in re maggiore Op. Maestoso - Allegro [6'12] , 2 2. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo [14'35] , 3 3. Scerzando vivace - Presto [8'22] , 4 4. Adagio, ma non troppo e molto espressivo - attacca: Allegro molto vivace - attacca: Allegro moderato - attacca: Andante, ma non troppo e molto cantabile - Andante moderato e lusinghiero- Adagio - Allegro - Adagio, ma non trppo e semplice - Allegretto [13'30] , 9 5.

Presto - Molto poco adagio - attacca: Adagio quasi un poco andante - attacca: Adagio ma non troppo - Allegro [9'54] , 2 Presto [2'02] , 3 3. Andante con moto, ma non troppo [6'44] , 4 4. Allegro assai [3'23] , 5 5. Adagio molto espressivo - attacca: Allegro - Fuga [16'04] , 7 Finale. Assai sostenuto - Allegro [9'06] , 2 2. Allegro ma non tanto [8'40] , 3 3. Andante - Molto adagio. Allegretto [6'32] , 7 2. Vivace [3'23] , 8 3. Lento assai e cantante tranquillo [7'19] , 9 4. Allegretto vivace [4'38] , 10 Menuetto.

Moderato e grazioso [4'26] , 11 Presto con fuoco [4'30]. Sostenuto con 6 variazione [5'29] , 9 Scherzando. Allegro assai Allegro vivace [2'06] , 19 Rondo. Allegro ma non troppo [4'47]. Allegro molto e con brio [6'55] , 2 2. Adagio molto [11'41] , 3 3. Andante [5'56] , 5 2. Allegro , ma non troppo [4'59] , 7 2. Allegro [8'02] , 9 2. Andante [8'03] , 10 3. Adagio molto semplice e cantabile [16'47] ,. Molto adagio [3'52] Rondo ; Allegro moderato [9'00] , Sonata No.

Allegretto [2'58] , 8 Rondo. Allegro [3'06] , 12 Allegro assai [5'00]. Adagio molto, semplice e cantabile [16'29]. Allegro [2'46] , 10 Rondo. Chiarappa - Accademia Bizantina. Schellenberger i Solisti italiani. La Coulicam - Rondement II. Allegro assai European Baroque Solosts.

Primo Quartetto in re maggiore I. Arita M, Tokyo Baroque Trio. Allegro Schellenberger, I Solisti italiani. Trauermarsch In gemessenem Schritt. Wie ein Kondukt - Plotzlich schneller. Wild - Tempo I [12'38] , 2 2. Scherzo Kraftig, nicht zu schnell [17'46]. Adagietto Sehr langsam [11'20] , 5 5. Rondo - Finale Allegro [15'14]. Recht gemachlich [07'02] , 3 Feierlich und gemessen, ohne zu schleppen [10'58] , 4 Sturmisch bewegt [20'21]. Konzert fur Klavier und Orchestrer a-moll OP. Allegro affettuoso [15'24] , 2 2.

Andantino grazioso - Attacca: Allegro molto moderato [13'56] , 5 2. Allegro moderato molto e marcato - Quasi presto - Andante maestoso Quasi presto - Andante maestoso p Polydor International Gmbh , Hamburg Previously released as Concerto per violino N. Allegro vivace [1'15] , 2 No. Allegretto [4'06] , 3 No. Allegro vivace [2'59] , 4 No. Allegro con brio [5'56] , 5 No. Moderato [3'20] , 6 No. Allegro appassionato [1'27] , 7 No. Moderato [2'53] , 8 No. Vivo [1'43] , 9 No. Allegro moderato [2'57] , 10 No.

Lento [7'23] , 11 No. Allegretto [2'07] , 12 No. Allegretto [2'16] , 13 No. Allegro vivace - Trio [8'47] , 9 IV Rondo: Allegro moderato [8'4] ,. Allegrissiomo - Intermezzo - Tempo I [5'11] , 4 Finale. I [1'34] , 12 Variation post. II [1'45] , 13 Variation post.


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III [1'03] , 14 Variation post. IV [2'16] , 15 Variation post. Sonata in A Major, OP. Molto vivace [04'58] , 7 Allegro, ma non troppo [07'49]. Largo [4'25] , 2 No. Maestoso [3'38] , 3 No. Tempo di minuetto [3'47] , 4 No. Andante cantabile [5'06] , 5 No. Alla marcia [3'59] , 6 No.

Andante [2'24] , 7 No. Allegro [2'11] , 8 No. Allegro vivace [3'19] , 9 No. Presto [1'49] , 10 No. Vivace [2'19] , 2 II. Andante [5'40] , 3 III. Allegro vivace [7'21] , Concerto for Piano and Orchestra No. Allegro vivace [9'46] , 5 II. Largo - attacca subito [6'57] , 6 III. Suite bergamasque , 1 Prelude: Moderato Tempo rubato [3'53] , 2 Menuetto: Andantino [4'33] , 3 Clair de lune: Lent e grave dans le style d'une Sarabande mais sans rigueur [6'25] , 8 Mouvement: Lent [4'02] , 10 Et la lune descend sur le temple qui fut: Lent [4'29] , 11 Polssons d'or: Andantino con molto [3'30] , 13 Arabesque 2: Triste et lent [3'23] , 15 No.

Lent [4'21] , 19 No. Violetta [4'58] , 8 Lunghe da lei per me non v'ha diletto! Alfredo [1'48] , 9 De'miei bollenti spiriti [2'47] Alfredo , 10 O mio rimorso [] Alfredo , 11 Pura siccome un angelo [7'07] Germont , 12 Dite alla giovine si bella e pura [9'46] Violetta. Requiem coro, soli [9'13] , 2 1 1. Diesirae , 2 Dies irae coro [2'25] , 3 Tuba mirum coro , basso [3'27] , 4 Liber scriptus mezzosoprano , coro [5'19] , 5 Quid sum miser soprano, mezzosoprano, tenore [4'09] , 6 Rex tremendae soli, coro [3'43] , 7 Recordare soprano, mezzosoprano [4'25] , 8 Ingemisco tenore [3'54] , 9 Confutatis basso, coro [5'44] , 10 Lacrymosa soli, coro [6'30].

Offerorio soli [11'23] , 2 4. Sanctus doppio coro [2'38] , 3 5. Agnus Dei soprano, mezzosoprano , coro [5'24] , 4 6. Lux Aeterna mezzosoprano, tenore, basso [6'54] , 6 7. Libera Me soprano, coro [13'48]. Cessate quel contento [3'06] , 9 Oh! Sorge il tremendo fantasma [3'07] , 12 Ardon gl'incensi [5'14] , 13 S'avanza Enrico! Atto Secondo , 1 Dammi tu forza, o Cielo!

Violetta [6'35] , 2 Di Provenza il mar, il suol Germont [4'39] , 3 No, non udrai rimproveri Germont [3'40] , 4 Avrem lieta di maschere la notte Flora [6'31] , 5 Alfrado! Violetta [8'06] , 8.

Il re L'Inquisitore [ Tacea la notte placida.. Di tale amor [9'02] Leonora.. Di tale amor [9'02] Leonora, Ines. Atto I , 2 Vedi! Le fosche notturne spoglie Zingari. Atta II [2'] , 3 Stride la vampa [2'32] Azucena. Il balen del suo sorriso [3'15] Conte. Di quella pira [5'01] Leonora, Manrico, Ruiz. Atto III , 9 Timor di me.. D'amor sull'ali rosee Leonora. Atto IV , 14 Ciel! Non m'inganna quel fioco lume? Recitativo III Allegro [ Concerto in do minore per Archi e Cembalo F. Guennadi Gofman, Pavel Soumm Violoncello: Allegro [5'08] , 2 II.

Grave [3'03] , 3 III. Allegro [4'43] , 5 II. Andante [4'10] , 6 III. Allegro [2'50] , 8 II. Largo e cantabile [2'46] , 9 III. Allegro [2'39] , Concerto per violini, viola e basso continuo in fa maggiore RV ; 10 I. Allegro [4'29] , 11 II. Andante [2'20] , 12 III. Allegro ['58] , Concerto in re minore per archi a basso continuo in re minore RV , 13 I.

Allegro non molto [2'37] , 14 II. Largo ['20] , 15 III. Carlo Farina ca. Recondita armonica [4'38] ; 4 Voi! Che non mi veda [7'31] ; 13 Tre sbirri, una carrozza Te Deum [4'34]. Tristano e Isotta , 1 Preludio Der Engel L'Angelo Im Treibhaus Nella serra Slowak Philharmonic Orchestra, Gunzenhauser. Indigo e i 40 Ladroni. JR Una Notte a Venezia. Slovak Philharmonic Orchestra, Wordsworth. Polish State Philharmonic Katowice , Jean.

Zagreb Festival Orchestra, Walter. Una Notte a Venezia. Polis State Philharmonic Katowice , Jean. Italy ; 1 Sposalizio Marriage of the Virgin [8: II Concerto secondo in Re: Now that the sun hath veiled his light Argenta. Leopold Nowak 1 1. Allegro [12'19] ; 2 2. Adagio [12'12] ; 3 3. Schnell [9'06] ; 4 4.

Allegro [6'08] ; 6 Te ergo quaesumus. Moderato [2'51] ; 7 Aeterna fac. Feierlich mit Kraft [1'21] ; 8 Salvum fac populnm tuum. Moderato-Allegro moderato [6'30] ; 9 In te, Domine, speravi. Mabig bewegt-Allegro moderato-Alla breve [5'40]. Orchestra Sinfonica di Budapest,Redel. Orchestre Philarmonique de la Loire; Soustrot. Slovak Philharmonic Orchestra, Redel. Capriccio-Presto energico [2'07] ; 2 2.

Andante - from: "Surprise Symphony", No. 94 Sheet Music by Franz Joseph Haydn

Intermezzo-Andante [4'03] ; 3 3. Capriccio-Allegro passionato [3'02] ; 4 4. Intermezzo-Adagio [4'16] ; 5 5. Intermezzo-Andante con grazia [3'31] ; 6 6. Intermezzo-Andante teneramente [3'36] ; 7 7. Capriccio-Allegro agitato [2'09] ; Drei Intermezzi Op. Andante moderato [4'33] ; 9 2. Andante non troppo [4'25] ; 10 3. Andante con moto [6'02] ; Klavierstucke Op. Intermezzo-Allegro non assai [1'53] ; 12 2. Intermezzo-Andante teneramente [5'50] ; 13 3. Ballade-Allegro energico [3'28] ; 14 4. Intermezzo-Allegro un poco agitato [2'34] ; 15 5. Romanze-Andante [3'53] ; 16 6. Intermezzo-Andante, largo e mesto [4'42] ; Klavierstucke Op.

Intermezzo-Adagio [2'45] ; 18 2. Intermezzo-Andantino un poco agitato [4'47] ; 19 3. Intermezzo-Grazioso e giocoso [1'51] ; 20 4.

Symphony No. 45 "Farewell" in F sharp minor - Haydn (Score)

Piano Quintet in F minor, Op. Allegro-Trio [7'33] ; 4 Finale: Poco sostenuto-Allegro non troppo [10'30] ; String Quartet No. Allegro molto e con fuoco [6'53] ; 4 IV Finale: Allegro con fuoco [7'16] ; Piano Sonata No. Allegro [3'50] ; 8 IV Finale: Sostenuto-Allegro ma non troppo e rubato [12'11]. Fingendo di dormire [8'31] ; 17 Che ha detto il medico?

Allegro moderato [20'22] ; 2 2. Sehr feierlich und sehr langsam [24'08] ; 3 3. Sehr schnell [10'35] ; 4 4. Bewegt, doch nicht schnell [12'31]. Andante quasi allegretto [15'27] ; 3 3. Scherzo Bewegt - trio Nicht zu schnell. Keinesfalls schleppend [10'37] ; 4 4. Finale Bewegt, doch nicht zu schnell [21'46]. Balletto detto "Il Conte Orlando" Allegro moderato [3'02] ; 2 2. Gagliarda Allegro marcato-Andantino mosso [3'22] ; 3 3. Andante cantabile [5'22] ; 4 4. Passo mezzo e mascherada Fine sec. Laura soave, Balletto con gagliarda, saltarello e canario Andantino-Allegro marcato-Andantino [4'17] ; 6 2.

Allegretto [4'06] ; 7 3. Andante mosso-Largo espressivo [5'56] ; 8 4. Bernardo Giannoncelli, detto Il bernadello: Andantino [2'49] ; 10 2. Arie di corte sec. Andante cantabile-Allegretto-Vivace-lento con grande espressione-Allegro vivace-Vivacissimo-Andante cantabile [6'35] ; 11 3. Andantino [3'03] ; 12 Lodovico Roncalli: I pini di Villa Borghese. Allegretto vivace-Vivace [2'40] ; 2 II. Pini presso una catacomba. Lento [7'01] ; 3 III. I pini del Gianicolo. Lento [7'07] ; 4 IV. I pini della Via Appia. Circenses [4'29] ; 6 II. Il giubileo [6'37] ; 7 L'ottobrata [7'39] ; 8 IV. La fontana di Valle Giulia all'alba.

Andante mosso [4'29] ; 10 II. La fontana del mattino. Vivo [2'36] ; 11 III. La fontana di Trevi al meriggio. Allegro moderato-Allegro vivace-Largamente [3'34] ; 12 IV. La fontana di Villa Medici al tramonto. Harmonies et religieuses [11'38]. Procession Of the Fallen and Judgement of the Prisoner ; Presto ; 2 2. Molto vivace ; 3 3. Poco adagio ; 4 4. Presto ; 5 5. Allegretto ; 6 6. Lento ; 7 7. Allegro ; 8 8. Presto furioso ; 9 9. Andantino ; 10 Allegro agitato molto ; 11 Andantino ; 12 Andante con moto ; 3 Etudes de concert,S. A capriccio-Allegro cantabile ; 2 2. A capriccio-Quasi allegretto ; 3 3.

Allegro affettuoso ; 2 Etudes de concert, S. Waldesrauschen ; 5 2. Il tremolo ; 7 2. Andantino capriccioso ; 8 3. La campanella ; 9 4. Arpeggio ; 10 5. La chasse ; 11 6. Scarlatti Sonata in E minor [3'00] ; 14 A. Albeniz la torre Bermeja [4'09] ; 2 M. Ponce three Mexican Popular Songs [6'33] ; 3 H. Digital Sheet Music of Symphony No. Would you like to tell us about a lower price? Read more Read less. Kindle Edition File Size: Customer reviews There are no customer reviews yet. Share your thoughts with other customers. Write a product review. Feedback If you need help or have a question for Customer Service, contact us.

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Today I sent her letter back to her with my marginal notes, and I beg you to go to her and look at my answer, and wash her childish head, and read my letter with her one more time. I am here in the midst of work -Friday I perform the Mozart Requiem and afterwards the Bruckner Te Deum , and I really need all my peace and quietness to that end; besides that, I must use every free minute to learn English. S3-AJp postmark from Neuilly, France. Card on which Alma reports on Mahler's progress by filling in information in an outline written by another hand Anna Moll?

Mahler's situation worsened notably on On the decision was made to travel to Vienna. Perhaps mentioned in E4-MJ Title page inscribed and signed by Alma Mahler: S3-MD Envelope containing a lock of Mahler's hair folded in blue tissue paper. S3-MD Envelope containing a lock of blond hair. S3-MDph Signed and inscribed photograph, S3-MDph 44 photographs [48 total, with duplicates] of Mahler alone and with others, including: Mengelberg and Diepenbrock 1 -3 copies , Mahler w.

Bruno Walter 1 -2 copies , Mahler, Justine, and others 2 , Mahler's grave, Mahler's daughters, with inscription: Photos of Mahler's father and grandmother, and of Justine and Leopoldine. S3-MDph photograph of the Rodin bust of Mahler. S3-MD 2 postcards relating to Mahler: S3-MD Envelope containing 4 envelopes with Mahler stamps on them 8 stamps total ; all bear a cancellation stamp with the date One example mounted on gold paper in a black frame. The draft and the omissions from the present facsimile is described by Deryck Cooke in the forward to his performing edition. Czech text pencilled in.

Soprano, Tenor, and Bass parts only. All numbered and labelled in red pencil.


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  8. Edition is dated and erroneously omits the vocal line in mm. Timings and performance indications given for several songs. Printed errors corrected in "Rheinlegendchen". Arrangement by Bruno Walter for piano, 4-hands. Signed and inscribed by Mahler: Arrangement by Hermann Behn for 2 pianos, 4-hands.

    Menuetto movement 2, arranged for piano, 2-hands, by Ignaz Friedman. Given by Alfred to Maria Schmutzer during their courtship, according to Mrs. Has timings for each movement. First edition, later corrected; see Kaplan facsimile for details. Some pencil markings throughout. Middle movements in the following order: This is therefore the original edition of the score. Mahler later reversed the order of the movements; this ordering was followed until the publication of the edition in the Mahler Gesamtausgabe, where it was shown that Mahler intended to reverse his change.

    Page 2 signed by Bruno Walter. Timings given for each movement. Booklet published by Royal Festival Hall in Offprint from Psychoanalytic Quarterly 37 S3-MD -Ephemera relating to Mahler, chiefly newspaper clippings and pages torn from periodicals. Newsletters and correspondence from Mahler Gesellschaft.

    It is largely concerned with a philosophical argument about Lippener's book on Kant. Mention of illness of Putzi Mahler would date card early Makes Alfred a present of a picture. Handwritten card conveying birthday greetings. Postcard with photograph of Arnold, Alfred, and Jens Solt? S4-AlC or early -draft of a letter, addressed to "Dear Maestro" asking for help finding work. Return address of letter is New York City.

    Mann is not a musician, and his recommendation would not carry the weight of Bruno Walter's. Alma is in error: A photocopy of this draft already in collection: I hear and see nothing of you but I have not forgotten you! It is the original manuscript. Looking for portrait by Prof. Outlines his connection with Strauss and his works, and to the Strauss family. Julius Kopsch, -encloses membership card for the Internationale Richard Strauss-Gesellschaft.

    With letter from the Austrian Legation in Ottawa, , enclosing the invitation. Note from Austrian Bundestheaterverwaltung and invitation to the reopening of Vienna Staatsoper on Gala premiere of Don Giovanni. S4-CAl letter from Ballkomitee of Vienna Philharmonic [postmarked 10 December] discussing plans for 40th anniversary Ball on Are planning to invite Alfred, since he took part in the first ball in Invitation to the ceremony.

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    Inside of back cover bears the following inscription: Listed in Hoboken I, p. Ebe Stignani signed and inscribed , Joseph Schwarz 3 photos, all signed and inscribed , Robert Lasoie. Includes letter to Mrs. S4-FMap -card from Mrs. With a portion of a genealogical chart. Timings noted in Alfred's hand for each work. Timings for other works not on programme on back. One additional copy of same.

    Plans to write an orchestral work for the Cincinnati Symphony. Includes an English-language CV with a works list including performances and dates. Submitted as papers in English 21, Unknown author [Richard Newman? Product of discussions with Mrs. Includes letter from Keri Shepherdson to Mrs. Photographs of Opera Workshop. Single page, typewritten, on Alfred's stationary from Greenwood Ave, Cincinnati. Laminated death notice from the London Free Press. Bound and gathered volume. Bound and gathered manuscript collection, dated , containing:. Vocal part written in bass clef, but treble clef indicated in margin in blue pencil.

    Later version in OS-AlD Vocal part written in bass clef, but treble clef indicated in margin in red pencil. Some later changes in coloured pencil; 2 later versions already in collection: Vocal part written in bass clef. Considerable alteration to vocal part in red pencil. Vocal part in bass clef. Additional copy of original: Also additional copy of original key, in hand of scribe A. Also additional autograph copy of original]. Pencil alterations and performance indications. Another version in OS-AlD probably roughly contemporary as has same pencil alterations. Another version in OS-AlD Rehearsal numbers and English translation of text and expression markings in red ink.

    Inserted in score are 3 parts: Typed English translation for movement's 2 and 3. German text pasted over. Rehearsal numbers and English translation of text in red ink; translation of expression and other markings in black ink different from rest of score. Last page dated "Cincinnatith " English translations of Wildgans' poems precede each movement. S4-AlD -Piano Sonata in A major -Sketches and drafts pencil Photocopy of initial draft for first movement; Initial drafts for movement 2 and movement 3 middle section only pencil. Title page in blue pencil. Score untitled, only tempo indication Allegretto.

    Folder, with Latin title, containing the following gatherings [all on Schirmer paper]:. Folder, marked "Organ", containing the following gatherings:. Folder with stencils for vocal parts plus box with 23 bound copies and many loose. S4-AlD -Christmas Offertory "Laetantur coeli" based on a "Marienlied" from the "Hohenfurter Liederhandschrift" [14th century] and "Puer natus est" from the "Lochamer Liederbuch" [15th century] Performance indications in pencil.

    Pencil alteration to sop. Enclosed in another leaf, blank except for title pencil on front. Full score ink , marked "Organ" on title page. Full of performance indications. Enclosed in another leaf, blank except for title ink on front. Without final transition; 10 men's parts, 6 marked "tenor" and 4 marked "bass. Many performance indications in red pencil. Red pencil indicates repetition of motivic cells.

    Front page has early sketch for "Blues". Pseudonym "Wolfgang Hauser" 13 poems, 22 pp. In brown mailing folder, with address label from Paul Zsolnay Verlag, Berlin. S4-AlD -"Aus der Jugendzeit Gustav Mahlers" -3 page, handwritten manuscript detailing the circumstances surrounding the composition of Das klagende Lied , as told to him by his mother, Justine Mahler. Public lecture given Full score, Peters, pl. Score contains performance indications, cuts, etc.

    First page autographed by composer. Inscribed and signed by composer. S4-CDph -2 photographs of older gentleman fishing, one with a lady in a chair. Looks possibly like Richard Strauss? Sie leidet wirklich furchtbare Qualen, die selbst das Arzt als vereinzelt dastehend bezeichnet. Sie kann das schwerlich mehr lang so aushalten. Und mir gehts auch nicht am besten.

    Von meinem Magenkatarrh will ich absehen, aber schon dies alles ansehen zu mussen, bringt einen Zerzweiflung. Also wie geht es Ihnen? Ist Ihre Frau Mutter schon in Wien? Haben Sie schau eine Wohnung aufgenommen? Gustav war ungefahr 4 Tage hier ist von nach Prag gefahren u[nd] ist jetzt wahrscheinlich in Wien. Wenn er nicht schon in Pest ist. S5-MD -Bill of sale.

    Encloses copy of letter to him, dated , from Staatsoper Intendant, Dr. Agrees with the plans and offers to direct the Philharmonic free of charge. Lehman and their transactions MSS and letters. Black notebook with record of performances played or conducted by him. Sometimes includes casts of operas directed. Notes when "Vater am 1. Pult"; once notes that Richard Strauss was present. Black notebook with record of performances of his compositions and account of his manuscripts borrowed and returned.

    Black notebook containing reviews of his performances. Box containing patient notes and referrals, treatment records, miscellaneous correspondence, payment records and articles. S5-AlD -Framed programme on gold silk. Staatsoper in Theater im Redoutensaal der Hofburg. Rossini, Der Barbier von Sevilla. S5-MD - Auguste Rodin Bronze bust of Gustav Mahler. S5-MD -Etching of Mahler.

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    Signed "Jasmine" Apparently copied from Emil Orlik's famous etching. Vienna Philharmonic in Musikvereinsaal, with Weingartner conducting. Lock of hair, in envelope: S5-MRph -5 framed family photographs: S5-Arph -Small oblong turquoise album. S5-Rph -Oblong burgundy album. Includes photos on ship. S5-Rph -Envelope with Viennese photos: Deutsche Volks und Kinderlieder. Quartett am until Forward by Julius Korngold. Begegnung mit dem Genius. Psychoanalytic Experiences in Life and Music.

    The Inner Experiences of a Psychoanalyst. Gesammelte Schriften und Dichtungen. S5-AlD - Ludwig van Beethoven Includes a special bound offprint of the introduction "Zu Beethovens Leonore" inside cover. S5-AlD - Albert Lortzing Der Waffenschmied von Worms. Cuts and performance directions in blue pencil. S5-AlD - Giacomo Puccini Piano-vocal score, German text. Ricordi, , , Many pencil corrections and indications. Puccini's handwriting found on , , according to marginal note.

    S5-AlD - Richard Strauss Symphonia Domestica , op. Die Macht des Schicksals. Piano-vocal score, German text only. S5-AlD - Richard Wagner Inscribed "Souvenir de votre Ami Gennaro Cinque. The Illustrated Opera Series. Full libretto and musical highlights in English. Hamburg, Frau Concertmeister, Taubstummengasse 4 from Mahler at Hotel Esplanade Formerly contained two other envelopes with stamps, now rejoined with their letters ; E7-MD Doodle by Mahler on Hofoper stationery.

    Asks for a response to Confirms the previous letter. Mahler's pay sheet at the Vienna Opera for Auf See Dehmel Earlier copy in S4-AlD English translation written underneath German for first song 3 Gedichte von Bruno Ertler Title page signed, with note: De Profundis Trake Title page indicates a "Mittlere Stimme. Aelita's Lied der Ulla Tolsoi Januar Some alterations, paste-overs, and performance indications.

    Vor dem Einschlafen Weinheber Items numbered to Signed greetings also from Alma and Justine there with baby Alfred My dears! Mentions Birrenkosten, Zinne, and Frau Behn I have been back from Hamburg for two days and have received your letter, which was delayed a whole week. Many thanks for your friendly congratulations and your welcome letter. S2-WEb -from Berlin Many thanks for your welcome note. Your Bruno If you can, send me a few lines from your journey-even if it is only a postcard.

    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45
    Symphony No. 45 in F-sharp Minor  (Farewell)  movt. 2 (score) - Hob1/45 Symphony No. 45 in F-sharp Minor (Farewell) movt. 2 (score) - Hob1/45

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